| Elizabeth Miklavcic | Photograph by John Brandon |
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A Chrysalis Project
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| A Chrysalis Project |
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A Chrysalis Project Exhibit & Residency Elizabeth Miklavcic had a specific idea for an environment that defined the world of the dancer. Elizabeth and Jimmy Miklavcic designed the look of the installation together, and Jimmy built a substantial set out of beautiful wood and industrial pipe for the frame where the hanging curtains could stand alone. The set innately defined a space, this space was where the dancer was confined. There were three stages of curtains made out of red, blue, and lavender colored sheets of plastic, cut into strips. Similar to colored gels used for theater lighting, the idea was that the colors of the plastic would combine together as light shone through to create more colors. In the back of the set was a stool where the dance began. The stool represented a starting place, a platform, so-to-speak, a place of safety. Choreographically, the dancer begins to tentatively travel away from the safety that the stool represents. The dancer engages with the hanging curtains, emboldened she becomes more and more motional. Just when you think she is going to break free from her self-imposed framework, she takes a step back, and only peers through the most downstage curtain. She looks out to the world beyond, but does not engage with it, holding back. |